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January 2005
Writer: Grant Morrison
Artist: Frank Quitely
Frank Quitely is hands down the best artist in comics right now. By the time he's done, he'll have redefined sequential art in the same way that giants like Joe Kubert, Harvey Kurtzman, and Jack Kirby have. He's just that good.
Most of his recent projects have been collaborations with Grant Morrison, which is appropriate because Grant is altering comic writing in the same spaced-out fashion.
We3 is the story of a military project gone wrong: super intelligent, talking animals placed in mechanized suits with unlimited firepower.
Stay with me here, I promise it's worth it.
Anyone vaguely familiar with the movie Short Circuit or Project X knows what happens next, the project is decommissioned, and the sweet, lonely doctor sets her subjects loose. The animals roam the countryside, an ultra-violent version of The Incredible Journey.
There is a dog, Animal Weapon 1, leader of the group; a cat, Animal Weapon 2, loose cannon (like all cats are in their hearts), and a bunny, Animal Weapon 3. The animals have been given a serum to make them understand and imitate human speech, though in a pidgin style (good, for instance, becomes 'gud').
Issue 3 is the conclusion and the awakening, when the animal's newfound consciousness leads to their salvation.
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The drifter leaves in search of food for the animals and tool to get them out of their battle armor. Look at the way Quitely plays the moment when the drifter steps out, and is confronted by the police.
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The army and the cops have the animals surrounded, and have released their newest project, Animal Weapon 4, a giant Rottweiler, mechanized and larger than life. Poor little 3 is the first to come face to face with him, while the others search frantically for him.
Look at this moment, with 2 leaping over an abandoned train car. This is how you portray quickness in a static medium:
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On the very next page, we get the ugly truth. 3 hangs crushed in the jaws of the enormous black beast, blood pouring out of his head and sparks flying from his damaged armor.
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And look at this brilliant, heartbreaking moment, rain drops falling into eyes that will never close on their own again.
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Bandit runs howling after 4, and finds him at the same time as 2, who comes leaping off the train car to bury his claws in 4's eyes.
I have to give you this entire sequence, look at what Quitely does here,
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Weapon 4 is remote terminated after the crash, his head bursting like a water balloon ("Damn thing almost ate a police officer.") and 2 and 1, now forever Bandit, make their escape into the countryside. They return to the same place that they met the drifter, and plan to wait for him, but the army is still following them.
As they descend the stairs Bandit, who has taken human life and saved human life comes to a stark realization,
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Bandit's journey of discovery has ended. He understands who he is, and what he was used for. He has come to the depths of his purpose there in the basement. He decides to be a regular dog again. To destroy the suit that has turned him into a killer.
Nature has cast of the shackles of man, and is again pure.
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Grant Morrison has written stories dealing with animal testing and its cruelty before, but by giving the animals voice he makes his strongest statement yet. Not only about the terrible things that people do to nature and ourselves, but ultimately, what it means to be human at all.
2 comments:
Back when this issue came out, someone pointed out the homeless man's combat boots: he's very likely a veteran, himself discarded by the military. (And as a "vet", qualified to help animals!)
I don't think it is to nature that We3 return, exactly. In The Invisibles and The Filth, Morrison points out that humans and their tools are part of nature too; besides, these are domesticated animals; and they stay with the man in the city. But 1 and 2 do manage to navigate back to a place where they can be given compassion and dignity as living beings.
Maybe I should say their 'natural state' then, instead of nature, because you're totally right about Grant's take in The Invisibles (I've not read all of The Filth, something about those giant sperm freaks me out).
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